Tag Archives: cabeceo

Rejection Tango

As his entanglement grew, Max began experiencing nuances of life in the enticing shadows of Tango. At a loose end one evening, attending a microbiology conference in San Diego, Max found himself waiting for Haile, the Ethiopian cab driver who’d driven him to a milonga the night before. Behind him, across a mini-mall parking lot and next to the Bull and Eagle Pub and Grill, discreet landscape lights illuminated the TuTu Tango studio. Tango songs diffused agreeably into the sultry night air, and silhouetted couples traversed the lightly curtained plate-glass windows. A lone tanguero sat smoking by the front door, enveloped in the aromatic embrace of Gauloises and Sensimilla. Max paced back and forth, scanning the highway for his errant cab; there were few cars out this late, and certainly no cabs. To return to the milonga, so recently abandoned, was out of the question. His confidence had been sapped by one-too-many failed cabeceos and by realizing that couples were not switching partners after each tanda, but returning to their own little tables and glasses of wine. One or two women, who had previously flown across the dance floor with fine-tuned elegant abandon, underwent mysterious lead-footed transformations when dancing with Max. A crowning indignity was conferred by a kindly fellow who told Max his wife would dance with him, if he liked. Max fled.

A car pulled up beside him and the window slid down. The driver flashed a salesman’s grin and raised a hand in greeting.
“Hi, I’m Willy. Are you a dancer?”
Max nodded tentatively, and thus emboldened, Willy rummaged around in the passenger seat and produced a flat faux-leather case the size of a large pizza delivery box. With a flourish, he snapped open the brass catches, revealing rows of variously-shaped little brushes with black-lacquered handles, each resting in its own purple felt niche.
“These take care of your dancing shoes. I import them from Buenos Aires; they’re made of the finest sable, will last a lifetime, and cost $300 online. But for you, let’s just say $75”. He looked at Max hopefully.
“Nice brushes,” said Max, looking around desperately for Haile, and adding unhelpfully, “I’m flying back to Charleston tomorrow. They wouldn’t fit in my carry-on.”
Defeat clouded Willy’s face, and Max felt for him. He gestured towards TuTu Tango.
“There are fifty people in there worrying about wear and tear on their dance shoes. Ask for Linda, and take it from there”.
Willy confessed he wasn’t accustomed to selling. Max told him faint heart never won fair maiden, and off Willy went.

Time passed, the night grew cooler, some heart-wrenching tango songs drifted out to the highway along with the Sensimilla, and still no Haile. After a while, Willy pulled up next to Max.
“Need a ride?”
“Well,” Max said, “I’m waiting for a cab…”
“Come on!” Willy said, “Pay me what you’d pay a cab. I have a wife and child and need the work.”
Max settled in, fixed the seat belt, and asked, “How did the brushes work out?”
“The lady told me to get lost,” Willy said. “An older guy, a kindly fellow you wouldn’t look at twice, asked was there a problem? Next thing I knew, I was out the door, my brushes scattered all around. Some stoner by the door helped pick them up and gave me $50 for the lot. Cost me ten bucks on eBay.”

Max gave Willy a high-five and was dropped off on 2nd Street by the Convention Center. Max headed for a nearby hole-in-the-wall where he nursed a beer, listened to a raunchy blues band, and thought about tango. He remembered Ignatio Quiroga once telling him: “Turn your head first, and then your chest; show her the way like the matador shows the bull, and she’ll soar like an eagle.”

Cabeceo Cowboy

I get it. Norms must be followed. Structure underlies function. Or is it the other way round? No matter. Here’s the thing. Catch her eye, or let hers catch yours, and you’re good to go. Catching is key. Cast your line across the darkened expanse of polished parquet, baited with all you’ve got. Which boils down to a commanding presence, equal parts upright posture, a clean shave, a confident demeanor, and totally at one with the intricate tango song flowing from the DJ’s shaded nook. Oh, you don’t measure up? No nibbles from the far side? Averted eyes? Preoccupation with a half-empty glass of Prosecco, or a chafing strap on that new dance shoe? I get it. Been there, done that. And now the cabeceo cowboy takes over. 

You stand, hitch up your pants, and stroll around the perimeter of the busy dance floor, casual as you please, approving with a smile faultlessly-executed enrosques, barridas and molinetes. You come to the first far-side bistro table, where three women, two of a certain age, and one half that, are deep in conversation. You pause, bow mock formally, and extend a hand over the flickering electric candle that adorns their table. They glance up, inspect you briefly, and then carry on as before. Oh, well… At the next table, on which lie a lady’s purse and a cast-off silk scarf, someone is slouched over a smartphone, his thumbs dancing obsessively over its obsidian surface. You suppress an involuntary sigh of disgust, and move on. But, be still my heart, what’s this? Here’s a beautiful woman, hitherto obscured by a potted palm. She’s all alone, one hand idly fingering an errant curl behind her ear, the other smoothing the silken surface of her dress  where it clings to her thigh

You pause, take stock, and catch her eye. She bestows upon you a long cool look that starts at your hairline, receding it’s true but testifying to maturity if not hard-earned wisdom, surveys the barely-noticeable bags under your eyes, the paper-thin wattles of your throat, your paunch held at bay by your belt buckle, and your thin shanks, draped in loose pants but nevertheless itching to dance. You short-circuit her possibly unfavorable review by offering her your hand, a smile, and a sidelong glance at the dance-floor. She closes her eyes momentarily, and when they re-open she’s no longer looking at you, but instead studying the shaded nook where the DJ is fussing with his laptop. Your heart stills. You’re about to move on when she turns to you, bats her eyelashes, indicates the empty seat beside her, and murmurs, “I’m not crazy about this song. Let’s see what’s up next.”

You sit down, shoot your cuffs, and venture an ad hoc critique of “Regreso al Amor”. She puts an index finger to the perfect crimson arc of her lips. Cabeceo is treading unfamiliar ground, but this cowboy is able and willing to go with the flow…